why-is-it-always-autumn:

why-is-it-always-autumn:

why-is-it-always-autumn:

why-is-it-always-autumn:

You know what I don’t get?  When fanfic authors apologize for long chapters.  It’s like?  You gave me bonus content, for free, and you’re sorry about it?  Bruh.  I have already named my firstborn after you.  Dude.

You know what else I don’t get?  When they apologize for short updates.  It’s like: look at these new words I gave you!  Sorry I didn’t give you even more free words.  Bro, that’s at least two words that I did not have yesterday.  For free.  Dude.  Thank you.

And another thing: when people drop out of nowhere with a surprise update and then apologize for it taking a while.  Like, dude, I wasn’t expecting anything, and you gave me words.  I thought this fic was abandoned, but wait: there’s more.  You just popped in and reminded me that this is a Good Fic that I should probably reread.  You made my goshdarn day.

Basically fanfic writers are under no obligation to publish anything so when they do update it’s always a net positive because the story is longer now, and I have something to read, so thank you so much to everyone who writes fic at whatever pace or quantity they want.

rocket-sith:

Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.

earlgreytea68:

nianeyna:

earlgreytea68:

fozmeadows:

Writing and reading fanfic is a masterclass in characterisation. 

Consider: in order to successfully write two different “versions” of the same character – let alone ten, or fifty, or a hundred – you have to make an informed judgement about their core personality traits, distinguishing between the results of nature and nurture, and decide how best to replicate those conditions in a new narrative context. The character you produce has to be recognisably congruent with the canonical version, yet distinct enough to fit within a different – perhaps wildly so – story. And you physically can’t accomplish this if the character in question is poorly understood, or viewed as a stereotype, or one-dimensional. Yes, you can still produce the fic, but chances are, if your interest in or knowledge of the character(s) is that shallow, you’re not going to bother in the first place. 

Because ficwriters care about nuance, and they especially care about continuity – not just literal continuity, in the sense of corroborating established facts, but the far more important (and yet more frequently neglected) emotional continuity. Too often in film and TV canons in particular, emotional continuity is mistakenly viewed as a synonym for static characterisation, and therefore held anathema: if the character(s) don’t change, then where’s the story? But emotional continuity isn’t anti-change; it’s pro-context. It means showing how the character gets from Point A to Point B as an actual journey, not just dumping them in a new location and yelling Because Reasons! while moving on to the next development. Emotional continuity requires a close reading, not just of the letter of the canon, but its spirit – the beats between the dialogue; the implications never overtly stated, but which must logically occur off-screen. As such, emotional continuity is often the first casualty of canonical forward momentum: when each new TV season demands the creation of a new challenge for the protagonists, regardless of where and how we left them last, then dealing with the consequences of what’s already happened is automatically put on the backburner.

Fanfic does not do this. 

Fanfic embraces the gaps in the narrative, the gracenotes in characterisation that the original story glosses, forgets or simply doesn’t find time for. That’s not all it does, of course, but in the context of learning how to write characters, it’s vital, because it teaches ficwriters – and fic readers – the difference between rich and cardboard characters. A rich character is one whose original incarnation is detailed enough that, in order to put them in fanfic, the writer has to consider which elements of their personality are integral to their existence, which clash irreparably with the new setting, and which can be modified to fit, to say nothing of how this adapted version works with other similarly adapted characters. A cardboard character, by contrast, boasts so few original or distinct attributes that the ficwriter has to invent them almost out of whole cloth. Note, please, that attributes are not necessarily synonymous with details in this context: we might know a character’s favourite song and their number of siblings, but if this information gives us no actual insight into them as a person, then it’s only window-dressing. By the same token, we might know very few concrete facts about a character, but still have an incredibly well-developed sense of their personhood on the basis of their actions. 

The fact that ficwriters en masse – or even the same ficwriter in different AUs – can produce multiple contradictory yet still fundamentally believable incarnations of the same person is a testament to their understanding of characterisation, emotional continuity and narrative. 

So I was reading this rumination on fanfic and I was thinking about something @involuntaryorange once talked to me about, about fanfic being its own genre, and something about this way of thinking really rocked my world? Because for a long time I have thought like a lawyer, and I have defined fanfiction as “fiction using characters that originated elsewhere,” or something like that. And now I feel like…fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters because then we can really get the impact of the storyteller’s message but I feel like it could also be not using other people’s characters, just a more character-driven story. Like, I feel like my original stuff–the novellas I have up on AO3, the draft I just finished–are probably really fanfiction, even though they’re original, because they’re hitting fanfic beats. And my frustration with getting original stuff published has been, all along, that I’m calling it a genre it really isn’t. 

And this is why many people who discover fic stop reading other stuff. Once you find the genre you prefer, you tend to read a lot in that genre. Some people love mysteries, some people love high-fantasy. Saying you love “fic” really means you love this character-driven genre. 

So when I hear people be dismissive of fic I used to think, Are they just not reading the good fic? Maybe I need to put the good fic in front of them? But I think it turns out that fanfiction is a genre that is so entirely character-focused that it actually feels weird and different, because most of our fiction is not that character-focused. 

It turns out, when I think about it, I am simply a character-based consumer of pop culture. I will read and watch almost anything but the stuff that’s going to stick with me is because I fall for a particular character. This is why once a show falters and disagrees with my view of the character, I can’t just, like, push past it, because the show *was* the character for me. 

Right now my big thing is the Juno Steel stories, and I know that they’re doing all this genre stuff and they have mysteries and there’s sci-fi and meanwhile I’m just like, “Okay, whatever, I don’t care about that, JUNO STEEL IS THE BEST AND I WANT TO JUST ROLL AROUND IN HIS SARCASTIC, HILARIOUS, EMOTIONALLY PINING HEAD.” That is the fanfiction-genre fan in me coming out. Someone looking for sci-fi might not care about that, but I’m the type of consumer (and I think most fic-people are) who will spend a week focusing on what one throwaway line might reveal about a character’s state of mind. That’s why so many fics *focus* on those one throwaway lines. That’s what we’re thinking about. 

And this is what makes coffee shop AUs so amazing. Like, you take some characters and you stick them in a coffee shop. That’s it. And yet I love every single one of them. Because the focus is entirely on the characters. There is no plot. The plot is they get coffee every day and fall in love. That’s the entire plot. And that’s the perfect fanfic plot. Fanfic plots are almost always like that. Almost always references to other things that clue you in to where the story is going. Think of “friends to lovers” or “enemies to lovers” or “fake relationship,” and you’re like, “Yes. I love those. Give me those,” and you know it’s going to be the same plot, but that’s okay, you’re not reading for the plot. It’s like that Tumblr post that goes around that’s like, “Me starting a fake relationship fic: Ooooh, do you think they’ll fall in love for real????” But you’re not reading for the suspense. Fic frees you up from having to spend effort thinking about the plot. Fic gives your brain space to focus entirely on the characters. And, especially in an age of plot-twist-heavy pop culture, that almost feels like a luxury. “Come in. Spend a little time in this character’s head. SPEND HOURS OF YOUR LIFE READING SO MANY STORIES ABOUT THIS CHARACTER’S HEAD. Until you know them like a friend. Until you know them so well that you miss them when you’re not hanging out with them.” 

When that is your story, when the characters become like your friends, it makes sense that you’re freed from plot. It’s like how many people don’t really have a “plot” to hanging out with their friends. There’s this huge obsession with plot, but lives don’t have plots. Lives just happen. We try to shape them into plots later, but that’s just this organizational fiction we’re imposing. Plot doesn’t have to be the raison d’etre of all story-telling, and fic reminds us of that. 

Idk, this was a lot of random rambling but I’ve been thinking about it a lot lately. 

“fanfiction has nothing to do with using other people’s characters, it’s just a character-driven *genre* that is so character-driven that it can be more effective to use other people’s characters”

yes!!!! I feel like I knew this on some level but I’ve never explicitly thought about it that way. this feels right, yep. Mainstream fiction often seems very dry to me and I think this is why – it tends to skip right over stuff that would be a huge plot arc in a fanfic, if not an entire fanfic in itself. And I’m like, “hey, wait, go back to that. Why are you skipping that? Where’s the story?” But now I think maybe people who don’t like fanfiction are going like, “why is there an entire fanfic about something that could have happened offscreen? Is anything interesting ever going to happen here? Where’s the story?”

Yes! Exactly! This!!!

This crystallized for me when I taught my first class of fanfiction to non-fic-readers and they just kept being like, “But nothing happens. What’s the plot?” and I was so confused, like, “What are you talking about? They fall in love. That’s the plot.” But we were, I think, talking past each other. They kept waiting for some big moment to happen, but for me the point was that the little moments were the big moments. 

tsunderesasuke:

The Problem

Fic writers wonder why people don’t review. They honestly can’t understand the silence. Writers assume that readers:

• usually have something to add/criticize/say
• know how to articulate their own thoughts/feelings
• withhold feedback because they’re lazy or apathetic
• don’t appreciate how much time/effort/energy goes into writing

On the flip-side, readers assume that:

• the writer already knows how ‘good’ their work is
• someone else will review because this fic is ‘obviously’ awesome
• if a fic is already ‘popular,’ their feedback won’t matter
• if they comment, they ‘must’ leave an awesome, insightful, detailed comment that 100% reflects their love for a fic
• since words aren’t adequate, it’s better to stfu and just click the kudos button/favotite/bookmark

None of these assumptions are accurate.

The reality is that:

• there is no reason for a writer to post their work except to get feedback that validates their vision, helps them improve and/or gives them an outsider perspective/interpretation of their work (which can be absolutely mind-blowing)
• like, you can and should write for yourself, but if that’s 100% the case, every good fic would be wasting away in a private word document
• ‘readers’ are not always ‘writers’
• ‘writers’ can naturally put their ideas and emotions into words
• ‘readers’ usually don’t know what to say, which words to use to express themselves, and belittle the importance of their perspective
• many ‘readers’ don’t write, so they can’t empathize with the struggle of writing a fic for a silent but attentive audience

Basically, readers don’t understand writers and vice-versa. Both parties are wired differently. Readers who also write are more likely to review because they empathize with both sides of the equation.

The Solution

Writers

• Be patient, understanding, and persistent
• Appreciate those who do review
• Don’t get bitter, discontinue a beloved story, or assume the worst of your readers
• Realize that everyone is really trying their best

Readers

• Be patient, supportive, honest, and empathetic
• Realize that there’s no minimum! Even two words (like ‘good work!’) can have a huge impact

Review Templates

Things to say when you’re tongue-tied:

Verbs

• I liked the part where/when…
• I wonder why…
• I smiled/laughed when…
• I was confused when…
• I think that…
• I predict…
• I was sad/happy/angry/[other emotion] when…

Nouns

• [character] did/said/felt/will do [this thing]
• because… (if applicable)
• [insert plot point/event]

Example: I think that [this guy] ran away from [his friend] because he was trying to protect him.

And that’s it. You don’t have to say anything else. One sentence is more than enough, but you’ll notice that once you get started, you’ll have a lot to say- so say it!

Author’s style

Your writing is:

• Detailed/descriptive
• Vivid
• Concise (to the point)
• Funny
• Serious
• Surreal
• Unique
• Compelling
• Provocative
• Leaves me wondering about a lot of things, and I’m curious about what happens next
• Confused me a little at times (talk about what confused you! The author will be more than happy to clear things up!)

Do’s and Don’ts

Don’t

• Worry about grammar/typos in your review
• Suggest a direction for the story (most writers know what they’re doing and you just gotta trust them)
• Think that clicking the kudos button is all you can do! Your opinion is important!
• Tell the author to do more of [this] and less of [that]
• Ask them to update without leaving any other feedback

Do

• Leave short comments if you can’t think of anything else to say (“I like this” is more than acceptable, seriously)
• Inform the author of typos (be specific)- many fics are un-beta’d. The writer will appreciate your attention to detail.
• Express your own perspective even if it isn’t ‘correct-’ I think [character] did this because she was jealous, which explains why…
• Understand that your unique interpretation of motives/symbolism/foreshadowing/anything is extremely valuable
• Be honest, but diplomatic 
• Bookmark/rec works if you enjoy them, esp to help lesser-known writers 

You can copy/paste from this post into your reviews. It’s hard to find the right words sometimes, but for writers, anything is better than silence.